Resources

To look, before the class.

First, the cards. Visual resources for organizing the concepts. Below, three ways to look at a poem. If one of them serves, the workshop practices it on a text of yours.

Cards

Visual resources for organizing the concepts.

  • Creative Flow
  • The Noise Sphere
  • Minimum Viable Condition
  • Micro-habits
  • The Third Eye
  • A Critical Reading

Three ways to look at a poem.

Figure and ground, the line break, analogy. They are not a class. Each one is practiced in a workshop.

Figure and ground

If everything sits in the same plane, the line has no relief. Figure is what stays in front. Ground is what holds it and is not explained.

The cup is the figure. The dark circle is the ground.

Practice it

The line break

A line can break before the sentence ends. That edge is a decision. The reader stops there, even if the sentence goes on.

The line stops, and goes on below. That stop is the break.

Practice it

Analogy

Two different things, joined at one point. If you can remove the link and the poem loses nothing, it was decoration.

Two stones. The thread is the hinge. Without it, there is no analogy.

Practice it

NotebookLM

A class, turned into material.

This is a NotebookLM notebook, made with Gemini. A real lesson is transposed into teaching material: the text, the video, the images, and the concepts that were worked.

Open it and wander through it. You can see what the lab works on, and ask the notebook about what was said.

Open the sample notebook

A reading of one poem

One poem, once. Not a class. You send the text. The marks come from the laboratory, not from a generic corrector.

If you want both, ask for both.

The workshop and the mentorship are set out in Two ways of working.